Emarsysįor a more convenient implementation of discounts, we occasionally use cookies which guarantee the discount through a so-called affiliate program through the link of origin. Microsoft stores the information anonymously. No personally identifiable information is submitted to Microsoft. We may use the information collected through cookies to generate statistics about ad performance. Through Microsoft Ads Conversion Tracking, Microsoft and we can track which ads users interact with and which pages they are redirected to after clicking on an ad.
The data is stored anonymously by Google. No personally identifiable information is submitted to Google. We may use the information collected through cookies to compile statistics about ad performance. Through Google Ads conversion tracking, Google and we are able to track which ads users interact with and which pages they are redirected to after clicking on an ad. Also – one Gripe – why do Gibson make you spend $4000 on an acoustic and then put nasty cheap plastic bridge pins in it! – I’ve replaced them with a lovely brass and MOP inlaid set of handmade bone pins from Rothesay Music.Ĭomes with Original Hard Case as pictured.Our shop uses Google Ads. This one is in great condition and although it bears the typical marks of a guitar that’s been used as an instrument rather than expensive wallpaper, it has clearly been well looked after and cared for. I love – I mean really love a Gibson SJ200 – They’re Big Curvy and Beautiful – Just what you want in a woman – er sorry – a guitar…. – Sitka spruce top, round soundhole, abalone bound body/rosette, flame maple back/sides, maple neck, 14/20-fret bound Madagascar rosewood fingerboard with abalone crown inlays, Madagascar rosewood mustache bridge with abalone block inlay/white abalone dot pins, bound blackface peghead with abalone crown/logo inlay, three-per-side gold tuners, black pickguard with engraved floral pattern/abalone dot inlay, available in Antique Natural or Vintage Sunburst finishes, current mfg. In 1996, the ’50s Super Jumbo 200 model superseded the J-200 model (see listing below.) In 1994, Antique Ebony finish was introduced, pearl crown fingerboard inlay, gold hardware replaced previous part/design. In 1979, rosewood fingerboard replaced previous part/design. In 1971, ebony fingerboard replaced original part/design, non-adjustable bridge replaced previous part/design. In 1969, adjustable saddle became standard. In 1961, tune-o-matic bridge with pearl block inlay replaced original part/design. In 1960, adjustable saddle bridge became an option. In 1948, Natural finish became an option. When this model was originally released, it featured a single peghead binding. Pre-war instruments should be determined on a piece-by-piece basis as opposed to the usual market, as this model and many of Gibson’s high end instruments were not manufactured during the war – thus, there simply aren’t that many guitars available in the secondary marketplace. However, many instruments continued to be labeled SJ-200 well into the early 1950s.
In 1947, it was renamed in the company catalogs to the J-200. Some prototypes made during late 1937 were labeled “Super Jumbo” and “L-5 Spec.” In 1939, this model was renamed the Super Jumbo 200. When this model was introduced in 1938, it was known as the Super Jumbo (SJ-200) and it featured rosewood back and sides (only approx. – spruce top, round soundhole, black pickguard with engraved floral pattern, figured maple back/sides/neck, 14/20-fret bound rosewood fingerboard with pearl crown inlay, rosewood mustache bridge with pearl block inlay, black pearl dot pins, bound peghead with pearl plant/logo inlay, three-per-side gold tuners with pearl buttons, available in Antique Walnut, Natural, or Vintage Sunburst finish, mfg.